Probably one of the most frequently asked questions about santur is how to tune it. In this posting, I am going to describe 14 different tuning guides for 7 Iranian musical systems (2 for each). This guide is for a normal standard 9/9 santur.
Shur Sol (G)
* Semi-flat: between neutral state and flat. Koron (near to one-quarter-tone flatter)
* There are several variants for Shur Sol. Two of them are demonstrated here:
* Please note that over the 7th bridge wouldn't be used in this model, as we move the bridge towards the left to create D semi-flat (normally it is D).
* Please note that you can move the first yellow bridge towards right and tune it in a way that you have a bass C, which might be very useful in some pieces.
Homayoun Sol (G) - Isfahan Do (C)
* 9th bridge yellow F can be tuned F or F sharp depending on the piece.
* Sometimes you can tune the 1st bridge yellow E to E semi flat. In very old times, they didn't use E for Homayoun. E semi flat was the right interval.
Navaa Sol (G)
Chahargah Sol (G)
Mahour and Rast-Panjgah Fa (F)
* You can move the 7th white bridge to the left and creat D semi-flat for Delkash and Raak.
Shur Sol (G)
Probably the most common tuning system for santur. You can also play Shur's 5 sub-systems using this tuning model: Dashti, Abu Ata, Bayat Tork, Afshari and Bayat Kord.
* Semi-flat: between neutral state and flat. Koron (near to one-quarter-tone flatter)
* Forth bridge of white register: You need to move the bridge towards the right (a few millimeters) to create semi-flat at right and flat at left.
* There are several variants for Shur Sol. Two of them are demonstrated here:
* Please note that over the 7th bridge wouldn't be used in this model, as we move the bridge towards the left to create D semi-flat (normally it is D).
* Please note that you can move the first yellow bridge towards right and tune it in a way that you have a bass C, which might be very useful in some pieces.
Homayoun Sol (G) - Isfahan Do (C)
Homayoun G is centralized around A semi flat however the end note is always G. Isfahan as a subsystem of Homayoun can be played using the same tuning arrangement.
* 9th bridge yellow F can be tuned F or F sharp depending on the piece.
* Sometimes you can tune the 1st bridge yellow E to E semi flat. In very old times, they didn't use E for Homayoun. E semi flat was the right interval.
Navaa Sol (G)
In most santur books, Navaa Do (C) is used in rastkuk systems; however, according to Master Payvar, Navaa Sol (G) is rastkuk and is more suitable for male vocalists.
Chahargah Sol (G)
The same confusion has happened for Chahargah. The right-tuned chahargah is actually in G and the left-tuned (Chapkuk) Chahargah is in Do (C), which you will see further down.
Mahour and Rast-Panjgah Fa (F)
In santur, the right-tuned Mahour is not played from G. It's one tone lower and from F. If you would like to accompany an instrument playing Mahour on G, you can use an A-tuned santur, in which every note sounds one tone higher.
* You can move the 7th white bridge to the left and creat D semi-flat for Delkash and Raak.
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Great post, looking forward to the rest of the tunings
me too!
THANK YOU!!!
Wow! Great help and info!
Thanks...!
There is a useful application for android in Google play which enables you to tune Santur easily.
This app is "Santur tuner"
https://play.google.com/store/apps/details?id=com.TuningApps.SanturTuner
آیا کسی میدانه برای آهنگ زخم زبون باید چه کوکی باشه؟
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